推薦答案美國留學(xué)音樂專業(yè)面試時從以下幾方面做：
首先，熟練背誦譜子。我指的是非常細(xì)致的背誦，并做到穩(wěn)定的演奏。你要為你的面試做好125%的準(zhǔn)備，因?yàn)槊嬖嚨臅r候，大部分人會損失掉自己25%的真實(shí)水平。
第二，節(jié)奏和音準(zhǔn)一致。穩(wěn)定的節(jié)奏和音準(zhǔn)，是音樂的基礎(chǔ)。沒有了節(jié)奏，再花俏的技巧也只能是無源之木、無本之水。千萬不要為了表現(xiàn)自己的個性，而失去節(jié)奏和音準(zhǔn)。要研究總譜，注意每一個節(jié)拍、符值、連線。要知道古典音樂演奏方向的教授們，一定不希望你是一個自由發(fā)揮的演奏家。因此，越到最后越是要做到慢練。說起來很容易，可是當(dāng)你形成習(xí)慣，每次急匆匆的彈完，你發(fā)現(xiàn)你根本不會慢下來了。這時候，如果你已經(jīng)體會到問題，可以適當(dāng)使用節(jié)拍器來糾正壞習(xí)慣。
第三，音樂風(fēng)格。這一點(diǎn)我要強(qiáng)調(diào)三遍！比如你在演奏莫扎特曲目的時候，一定不能太過高昂和激蕩，因?yàn)槟氐娘L(fēng)格以細(xì)膩、輕盈、含蓄華貴，而有強(qiáng)烈的古典色彩。顯然，如果你把莫扎特的曲子彈得不知道是誰，那你就該打道回府了。

第四，強(qiáng)弱對比。這句話可以再分解，該強(qiáng)的強(qiáng)，該弱的弱。簡單來說，就是強(qiáng)弱度要合適。對專業(yè)選手而言，這一點(diǎn)代表著基本水平，因?yàn)樗[含著選手對作品的理解。很多學(xué)琴的人對此深有體會。如果你總是習(xí)慣性地表達(dá)過強(qiáng)，那么當(dāng)曲子演奏到高潮，你是打算刺穿所有面試官的耳膜嗎？反過來說，某個PART強(qiáng)度很弱，你需要弓著身子氣若游絲表達(dá)嗎？事實(shí)上，強(qiáng)弱的對比一定是基于你對曲子的理解。這一點(diǎn)我認(rèn)為比目光交流和微笑還要重要和致命。尤其是對于沒有太多舞臺經(jīng)驗(yàn)的學(xué)生，容易在強(qiáng)弱上失控，上臺后自己耳朵聽不見自己的琴聲，更別說面試官了。
第五，提前預(yù)演。可以在好朋友或者熟悉的師長面前，多做幾次預(yù)演，緩解緊張。
第六，穿著得體，舉止得當(dāng)。小鮮花小鮮肉不能穿戴花枝招展，奇裝異服，過多裝飾，這些我就不再多說了，都get到了吧！

第七，準(zhǔn)備好向校方提問的有意義的問題。盡可能多做功課，多了解對方院校、教授、專業(yè)、名額，以及各種項(xiàng)目等。
第八，提前候場，微笑離場。入場的時候，請以禮貌、友好而自信的目光向在場人員致意。同樣，離場的時候向所有評委表示誠摯感謝，注意目光務(wù)必要到每一個人身上。
附上面試演奏的曲目：
一、鋼琴曲目
1. A Prelude and Fugue by J. S. Bach from the Well-Tempered Clavier
2. A complete sonata by Haydn, Mozart, Schubert, or Beethoven, excluding Haydn juvenilia or Mozart K. 545 or Beethoven op. 49 & 79
3. A complete work of a 19th-century composer
4. One piece or single movement by a contemporary composer
5. An etude of virtuosity at the level of those by Chopin, Liszt, Rachmaninoff, Scriabin, Debussy, Bartok, Stravinsky orLigeti.
二、聲樂曲目
Vocal Audition Requirements
1. One art song in Italian
2. One art song in French

3. One art song in German
4. One art song in English
5. One opera aria
6. One oratorio aria
7. An additional selection in a fifth language
三、小提琴面試曲目
1.From J.S. Bach-Unaccompanied Sonatas and Partitas:
2.Two major contrasting movements from the sonata or duo repertoire with piano 3.One complete major concerto work (with applicable cadenzas)
4.A virtuoso concert piece by composers such as Paganini, Sarasate, Vieuxtemps, Wieniawski, or Ysaÿe (any works not written for solo violin must be performed with accompaniment).
5.One commercially published work written after 1980 (a movement from a multi-movement work does not count as a work)
四、薩克斯面試要求
A)古典薩克斯
1. Ibert Concertino da Camera (pub. Leduc), or a comparable work;
2. Choose one of the following (or a comparable work):
•Creston Sonata, Op.19 (pub. Shawnee); 2 contrasting mvmts ;
•Dahl Concerto (pub. European American Music); 2 contrasting mvmts ;
•Denisov Sonata (pub. Leduc); 2 contrasting mvmts ;
•Glazounov Concerto (pub. Leduc) ;
•Harbison Sonata "San Antonio" (pub. Schirmer-AMP); 2 contrasting mvmts ;
3. Two orchestral excerpts from The Orchestral Saxophonist, Vol.1 (pub. Roncorp). Suggested excerpts:
•Mussorgsky-Ravel Pictures at an Exhibition;
•Prokofiev Lieutenant Kije ;
•Rachmaninov Symphonic Dances .4. Two contrasting études；
B)爵士薩克斯
1. Prepare a solo piece including playing the melody and at least 3 improvised choruses of a jazz standard (any style)
2. Prepare at least two blues heads and improvise on the changes
3. Prepare the melody to one jazz standard ballad and improvise at least one chorus
4. Prepare the melody to one medium swing tempo jazz standard of your choosing and improvise at least one chorus
5. Prepare the melody to the jazz standard "All The Things You Are" and improvise at least one chorus
6. Prepare the melody to the jazz standard "Oleo" and improvise at least one chorus
五、單簧管面試曲要求
Clarinet Audition Requirements
1.Two contrasting Etudes from Rose 32 Etudes
2. Mozart clarinet concerto
3. A prepared piece of the applicant’s choice
4. A work composed since 1970. This may be a concerto, a work with piano, or one for solo clarinet.
5.Three to Six orchestral excerpts:
六、大提琴面試曲目
1. One piece of applicant’s choice (must be a commercially published work)
2. Two contrasting movements of an unaccompanied Bach suite
3. One complete concerto or major work from the standard cello repertoire
4. A complete sonata or other duo work for cello and piano
5. A commercially published work written after 1970
七、音樂制作曲目要求
Applicants should submit Three to Five works that reflect their experience in computer music and other art media or interdisciplinary forms，showing an awareness of 20th-century composition. If your work is produced primarily through electronic/recorded media, evidence of skill in written musical forms, such as scores, must be added.
八、音樂劇面試曲目
1.Musical theater applicants must prepare two brief, contrasting songs from the Broadway repertoire: one ballad and one upbeat selection. And one should be written before 1965
2.Two short, contrasting monologues from the following: Modern, post-war literature: examples of post-war dramatists are Miller, Williams, Albee, Inge and Shepard. Classical literature: examples of classical pieces include Shakespeare’s comedies and histories or Moliere.
3. Present a 30-60 second clip of yourself moving/dancing. Your full body should be in view at all times. You may choose a cut from a musical or a dance performance in which you participated, or record something original. Any style is acceptable: musical theatre, ballet, jazz, tap, hip-hop, etc. Wear appropriate dance attire that will show clean line.
九、流行音樂面試曲目
Part One: Prepared Pieces
Your prepared piece should demonstrate significant understanding of musicality, expression, phrasing, appropriate articulation; excellent intonation and tonal quality; and clarity of articulation or enunciation of notes (and lyrics for vocalists). Your audition performance should be delivered in a manner that is appropriate for the style of the piece. Berklee embraces and values all styles of music, so you should prepare Three pieces that you are comfortable with and that displays your strengths as a musician. It should be should be in any style that demonstrates your instrumental proficiency and your overall musicianship. Here are some guidelines that may help when selecting your prepared piece:
•You might choose a tune from a well-known artist or band (in any style).
•You might choose a jazz or blues standard tune (which may include rhythm changes) to which you have the option of adding your own improvisation.
•You might choose a composition from the instrumental/voice repertoire or a movement, sonata, concerto, or etude. You might choose a tranion of a well-known artist’s solo.
Part Two: Sight Reading
While sight-reading, you should display strong accuracy of rhythm, pitch, and tone in order to achieve an interpretation that conveys musical substance with phrasing and expression appropriate to the style of the example provided.
Part Three: Improvisation
We would like to hear you improvise over a short progression to gauge where you are in your development. Your prepared piece may also include improvisation, but it is not required.
Part Four: Melodic and Rhythmic Playback
We recognize it is common for applicants to have imbalances in their playing abilities, and we realize that applicants may not have advanced skills in improvisation, reading, or ear training. We take a holistic approach in our evaluation process; each component of the audition helps the audition team assess your overall abilities as a musician and your potential for success at the master’s program level.
十、長笛面試曲目
Flute Audition Requirements
1. Any sonata by J.S. Bach.
2. Mozart Concerto in G or D - complete.
3. Major contemporary work (complete sonata, concerto, or substantial work).
4. Two additional complete works of contrasting styles and periods.
5. Five Orchestral Excerpts displaying a variety of styles.